Tagهنرمند ایرانی

Iran Darroudi

Iran Darroudi (September 1936 – 29 October 2021) was a revered Iranian painter, director, writer, art critic, and university professor. Her art consists of surreal paintings dealing with Iranian-themed imagery and intense lighting.

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Hana Shahnavaz

Hana Louise Shahnavaz is a British-Iranian painter based in London, UK. Best known for her vibrant large-scale paintings characterized by an abundance of exquisite detail, her work explores the individual's connection to the Whole. Inspired by Persian miniature painting, she intricately painted nature scenes to honor Mother Earth and our unique connection to her.

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Sahar Haghgoo

Sahar Haghgoo was born in 1981 in Rasht, Iran. She is a freelance illustrator based in London. She creates her illustrations through digital and mixed media techniques; and loves to use theatre and drama scenes in her compositions.

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NEDA

Born in South London to Iranian parents, Neda is a British vocalist and songwriter who draws from a melting pot of diverse influences.

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Ali Sabouki

Ali Sabouki was born in 1985 in Shiraz, Iran. He lives and works in Tehran as an artist. Ali attended the Art and Architecture University in Tehran to study Scenic Design.

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Roshi Rouzbehani

Roshi Rouzbehani is a freelance illustrator who graduated from the University of Hertfordshire with a BA (Hons) in illustration, bringing ideas and concepts to life through lines and colors. Roshi enjoys creating editorial and portrait illustrations that are feminine, considerate, and emotional.

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Rahele Mahouti

Rahele was born in Tehran in 1989. She began her first work illustrating children's books. She started her career with digital art early on. In the middle of her career, she became interested in comic book illustration and pop art.

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Interview with Bita Fayyazi

Rather than a sculptor, installation artist, or ceramicist engaged in a somewhat mystic relationship with her materials, Bita Fayyazi (b. 1962, Iran) is an artist who works within a more performative and markedly social practice. Beginning in the mid-1990s, her artistic interventions challenged the official definitions of art that were often circulated in Tehran at that time. Fayyazi struggled to show her work amidst an atmosphere of traditionalism, academics, and the influx of 1990s conceptual art from abroad.

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